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José Manuel Noceda, researcher, critic and curator at the Wifredo Lam Contemporary Art Center in Havana, for several years he has been serving as...
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Osorio does not make kitsch an insolent glorification of bad taste, or a cynical false worship, rather, on one hand, the way to channel the their...
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In his book Didáctica de la liberación (2008) (Liberation Didactics), Luis Camnitzer states several ideas that revolve around creation and...
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Half a century ago, in 1986, the second Havana Biennial named a jury coming from three continents. It unanimously gave a prize to a piece...
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Rethinking art-audience relations in recent Caribbean Art
In 2010 the artist David Perez, Karmadavis, devised an action in which a blind...
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Anthological exhibitions lead, by necessity, to critical reviews; therefore in respect to Mímesis (Mimesis), a few words are required in regards...
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What were the elements of tradition which modern architects took on in order to develop a language that would establish a dialogue amid universal...
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The Biennial aims to emphasize the role of art in the transformation of objects and as a catalyst of social subjects.
Next May 11th the...
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The Museum of Fine Cuban Arts, located in the 13th district of Vienna, opened in November 2009 with the exhibition of a remarkable selection of...
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The catalog is to the book world what cetaceans are to the sea world. A disproportionate beast that at certain moments, most mortals –and some...
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