Home > Arte por Excelencias > Issue No. 4
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  • From a multitude of approaches, art critics, curators, artists and other experts have homed in on what they call public art, though there’s no...

  • A shortfall of research studies on the continental arts is the theoretical context poet Octavio Paz’s critical contribution hinges on. During the...

  • Today’s Caracas boasts only a handful of colonial
    ambiences. The impetuousness of modernity rules the urban image, determined by the number...

  • One of the most striking and symbolic artworks of the past Havana Biennia was no doubt “The Oil Tanker” by artists Reynerio Tamayo (Niquero, 1968...

  • For those who like critical and appreciative analysis of art, the coming of new publications is always a reason for joy. For over a century,...

  • “Those who are creative work through the past, the present and the future, going beyond time; those who are not, accept the ties of the old and...

  • Maurizio Cattelan’s playful heresies are pigeonholed in the controversy between essence and appearance that rules different contemporary...

  • Michael Dweck is a sensualist, a documentarian, a good story teller, and a great admirer of feminine beauty. He is also something of an islander...

  • Chile’s First Visual Arts Triennial has displayed neither artworks nor artists who can put on a good show. However, a whole country got hyped as a...